朦胧诗代表人物与老一代诗人关系探微  

Study on the relationship between the Representatives of the Misty Poetry and the Poets of Older Generation

作　　者：王俊虎[1] 

机构地区：[1]延安大学文学院,陕西延安716000

出　　处：《江苏师范大学学报（哲学社会科学版）》2017年第2期79-83,共5页Journal of Jiangsu Normal University：Philosophy and Social Sciences Edition

基　　金：国家社科基金项目"陕西文学对延安文学的承传与发展研究"(项目编号:12XZW020);陕西省高水平大学建设专项资金资助项目"中国语言文学"(项目编号:2013SXTS01)部分研究成果

摘　　要：朦胧诗从地下走上诗坛后,面对老一代诗人艾青、臧克家等人的批评时,其代表人物并未进行反驳和论争,而是选择躲避与沉默的方式回应他们的质疑与批评。这是多种因素互相作用的结果,其中尤以代际文化、地域文化之间的关系最为突出。这种躲避与沉默也隐含着他们对诗歌的革新或反叛并不彻底。朦胧诗是他们个人情感的宣泄方式,他们借助于西方的艺术创作手法,然后融合进自己的苦闷、彷徨等情感,去表达内心的伤痛,在一定程度上透露出他们对自己诗歌理念的不自信。After the misty poetry show its power in the field of poetry from the underground, facing the criticism of the poets of older generation, such as Ai Qing, Zang Kejia, etc. , the representatives of the misty poetry did not refute and debate by writing, but chose to escape and keep silent. The representative poets of the obscure poems chose the way to respond to the questioning and criticism of the older generation by escaping, which is the result of the interaction of many factors, especially the relationship between the generational culture and the regional culture. The intergenerational culture is born with the regional culture, which is difficult for the individuals to change, and has a deep rooted impact on people. There are two sides of the relationship between the older generation of poets and the young poets, one is opposite, and the other is fusion and mutual learning. In addition, the choice of avoiding and being silent of the representatives of misty po- etry implies that their innovation or rebellion of poetry is not complete, the misty poetry is their only way to express their personal feelings. With the help of western artistic creation techniques, together with their own depression, anxiety and other emotions, they expressed the pain of the heart, which to a certain extent, revealed that they have nO confidence a- bout their theory of poetry.

关 键 词：朦胧诗 躲避 老一代诗人 代际文化 地域文化 

分 类 号：I207.2[文学—中国文学]