都市文化语境下戴望舒《雨巷》新论  

Rereading DAI Wangshu's rain alley in the context of urban culture

作　　者：左怀建[1] 吉素芬[2] 

机构地区：[1]浙江工业大学人文学院,浙江杭州310023 [2]浙江工业大学之江学院,浙江杭州312030

出　　处：《浙江工业大学学报（社会科学版）》2017年第1期38-44,97,共8页Journal of Zhejiang University of Technology：Social Sciences

摘　　要：作为上个世纪30年代现代诗派最有代表性的诗人戴望舒最有影响力的诗篇《雨巷》必然具有超出古典性的现代性内蕴。现代都市文化语境下,人们不难发现诗篇中"我"与"姑娘"的相遇又相错既显示了双主体的优越和困境,又显示了现代都市人生"动态、瞬时"的美学特征。将诗篇放在中西方文学关联的语境里去理解,就发现诗篇中"雨巷"的意指不乏现代派的荒原性质,"我"的追求所呈现的失落也饱含现代都市精神孤独和忧郁的气质。诗篇因此而具有较大的可阐释空间。Dai Wangshu was the most representative modern poet in the 1930 s. His rain alley , with a modern connotation exceeding the classical works, was the most influential poem then. In the modern urban culture context, people found it easily, that the meeting with separating again between ＂I＂ and ＂the girl＂ showed ascendancy and dilemma of two main characters, and showed dynamic and instantaneous aesthetics aspects of the modern urban life. In the correlation literature context between the East and the West, the people found it that, the meaning of ＂rain alley＂ in the poem contained modernist school＇s waste land nature, the lose in my seeking was also full of the qualities of spirit loneliness and melancholy in modern urban. The poem had larger space to explicating thus.

关 键 词：都市文化语境 《雨巷》 新论 

分 类 号：I206[文学—中国文学]