浅析《红楼梦》中家具使用所体现的中国清代礼制文化  

Preliminary Study of the Etiquette Culture of Qing Dynasty from the Furniture Usage in "A Dream in Red Mansions"

作　　者：鲁秋红[1] 吴智慧[1] LU Qiuhong WU Zhihui(College of Furnishings and Industrial Design, Nanjing Forestry University, Nanjing 210037, China)

机构地区：[1]南京林业大学家居与工业设计学院,南京210037

出　　处：《家具》2017年第2期53-59,93,共8页Furniture

基　　金：江苏省高校优势学科建设工程资助项目(PAPD)

摘　　要：《红楼梦》作为我国文学史上一部旷世瞩目的经典巨作,不仅向读者展现了一个封建大家庭由"烈火烹油、鲜花着锦之盛"到"树倒猢狲散""食尽鸟投林"的兴衰跌宕之路,更以其详尽精到的笔触描绘出了一幅清代贵族生活的生动画卷。其中,家具作为社会各个阶层在任一时期都普遍使用的生活器具,在文中广泛出现。作者对家具及其使用过程的大量描写在丰富小说故事空间环境、多方面塑造文学人物形象的同时,不但向我们传递了当时社会的物质条件、生产水平、人们的审美情趣与生活状态,也由"形而下"至"形而上",反映了当时社会生活中人们精神层面上对于礼制文化的承袭与践行。As a classic masterpiece in the history of Chinese literature, ＇A Dream in Red Mansions＇ not only shows readers the ups and downs of a feudal extended family which from the glory of ＂a posy of fresh flowers pinned to an embroidered dress or the flare-up of spill cooking-oil on a blazing fire＂ to the situa- tion of ＂when the tree falls, the monkeys scatter＂ and ＂when the food is gone, the birds return to the wood＂, but also with its elaborate narrative language depicts a vivid picture of the aristocratic life in Qing Dynasty. As the life utensils widely used by the all social classes in any period, furniture appears exten- sively in the text. Through the substantial description of the furniture and its use process, the author en- riched the environment of stories in the novel, and shaped the literary figures in many aspects. At the same time, the author also conveyed to us the material conditions, the level of production, people＇ s aes- thetic taste and life status at that time. In addition, the novel reflects people＇s inheritance and practice of the etiquette culture in the spirit level at that time from＇ the physical＇ to＇ the metaphysical＇.

关 键 词：《红楼梦》 家具 礼制 文化 

分 类 号：TS664[轻工技术与工程]