永恒与流变中的支点——以《谜》系列创作结合时尚图形课程教学为例  

The Fulcrum between Eternity and Evolution:A Case Study of Creative Works “Enigma” and the Teaching Lesson “Fashion Graphic Design”

作　　者：陈蕾[1] 

机构地区：[1]北京服装学院美术学院

出　　处：《艺术设计研究》2017年第1期125-128,共4页Art & Design Research

摘　　要：本文基于个人创作的《谜》系列作品结合时尚图形课程教学实例,探讨了艺术中的两个基本元素—永恒与流变性,及其在中西方艺术中的存在形式。"使不可见成为可见"、"气韵生动"是中西方共同的艺术理想;"贲"与"白贲"、"错彩镂金"和"芙蓉出水"则阐述了艺术两极的对立统一关系。通过借用传统戏剧中"务头"的概念,本文提出了主与次、虚与实等艺术中的形式美问题,并以寻找永恒与流变中的支点作为艺术实践的方向。This essay based on the study of creative works＂ enigma＂ and the teaching lesson ＂ Fashion Graphic Design＂, discusses the two elements in east and west arts： eternity and evolution, ＂make the invisibility into visibility＂, ＂ rhythmic vitality＂ are the similar art ideal in east and west; ＂Bi＂ and ＂White Bi＂, ＂the color in inlaying and Lou gold＂ and ＂the beauty in freshly lotus＂ are all description of the two poles in arts, as well as the different ways between them. By using the traditionally dramatic concept ＂Wutou＂, this essay presents the relationships among the formal beauty： ＂major and minor＂, ＂false and true＂ and seems the fulcrum between eternity and Evolu- tion as the creative direction in the future.

关 键 词：永恒 流变 时尚 中国传统美学 

分 类 号：J124.4[艺术—艺术理论]