论两汉咏物赋中的物  

On the Object in the Object-chanting Fu in the Western and Eastern Han Dynasties

作　　者：陆晨琛[1] 

机构地区：[1]北京师范大学哲学学院,北京100875

出　　处：《北方工业大学学报》2017年第1期45-50,共6页Journal of North China University of Technology

摘　　要：两汉咏物赋是中国本土物象观念的产物。建基于这一基础之上,两汉咏物赋营造出极具灿烂感性的、理想的、人化的物象世界。由于两汉咏物赋中物的表现力过于强大,以至于作者的真实情感遭到挤压,哪怕是作者假设出的、以体验为目的的"我"在赋作中也总是处于隐藏的状态。在这之中,人与物的对峙、感性与理性的共存形成一种有趣的张力。Object-chanting Fu in the Western and Eastern Han Dynasties is the production oI native Chinese conception of obiective image. In the object-chanting Fu, the image of this objective world is created as extremely perceptual, ideal and human. The expression of objective image in the object-chanting Fu is so powerful that the author＇s real emotion is squeezed. Even the ＂ego＂, which is created to get a better experience of emotion by the author is always hidden. It is just because of this that the confrontation between the subjects and the objects and the coexistence of sensibility and rationality in the object-chanting Fu forms an interesting tension.

关 键 词：两汉 咏物赋 物 

分 类 号：I207.62[文学—中国文学]