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作 者:王卓[1]
机构地区:[1]山东师范大学外国语学院,山东济南250014
出 处:《浙江工商大学学报》2017年第2期5-16,共12页Journal of Zhejiang Gongshang University
基 金:国家社会科学基金一般项目"意象派;客体派;黑山派诗学谱系研究"(12BWW040)
摘 要:2011年11月,美国诗坛一场规模空前的论战烽烟骤起。论战双方是美国首位非裔桂冠女诗人丽塔·达夫和美国著名文学评论家海伦·文德勒。论战的起因是丽塔·达夫主编的企鹅版《20世纪美国诗歌选集》的出版。这两位美国文坛的重量级人物以及双方的支持者们借助报刊、杂志、网络等平台把这一论战吵得沸沸扬扬。然而,在这热闹异常的表层之下,三个关键词频繁出现:种族、文化和经典。这三个关键词表明,这场论战是一场美国特有的多维度的文化之战,是种族主义、多元文化主义和世界主义共存于美国社会文化和意识形态深层之中,并不断交织和交锋的外化。November 2011 witnessed the rise of an unprecedented debate at the American poetry forum. The parties involved are the U.S. former poet laureate, African American woman poet, Rita Dove, and the most distinguished contemporary American critic Helen Vendler. The cause of the debate is the publication of The Penguin Anthology of Twentieth-Century American Poetry edited by Rita Dove. For a while, newspapers, magazines and the internet have been heated by the fires between Dove and Ven- dler, as well as their followers. However, underlying this sound and fury, three frequently appeared key words remind us that this debate is a unique muhi-dimensional American cultural war. It is the exteriorization of the interweaving and conflicting of racism, muhicuhuralism and cosmopolitanism which coexist in the deep vein of American social culture and ideology.
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