现代艺术的审美之维建构——审美艺术学维度下的齐美尔距离思想  

Construction of the Aesthetic Dimension of Modern Art——The Distance Thought of Simmel from the Aesthetic Art Dimension

作　　者：杨向荣[1] 

机构地区：[1]浙江传媒学院文学院,浙江桐乡314500

出　　处：《浙江工商大学学报》2017年第2期17-23,共7页Journal of Zhejiang Gongshang University

基　　金：国家社会科学基金项目"齐美尔与法兰克福学派文艺理论的关联研究"(10CZW007)

摘　　要：在齐美尔那里,艺术距离既可以看作是艺术家面对现实的某种艺术反应或艺术心理策略,又可以看作是现代主义艺术的内在特征。齐美尔对艺术距离的讨论主要着眼于两个层面:艺术的外在距离和内在距离。前者强调艺术与现实生活的关系,而后者则注重艺术的内部因素所衍生的距离体验。To Simmel, art distance can be regarded as the art reaction or psychological strategy when artists face the reality, and also can be regarded as the inherent characteristics of the modernist art. The discussion about art distance of Simmel focuses on two aspects ： the outer distance and the inner distance of art. The former emphasizes the relationship of art and reality, while the latter focuses on the distance experience derived from internal factors of art.

关 键 词：齐美尔 艺术距离 现代艺术 审美之维 

分 类 号：J0[艺术—艺术理论]