论当代生态电影批评的建构维度及其发展趋向  

On the dimension of construction and the trend of development of contemporary ecocinema criticism

作　　者：宋眉[1,2] 

机构地区：[1]浙江科技学院艺术设计学院,杭州310023 [2]东南大学艺术学院,南京210096

出　　处：《浙江科技学院学报》2017年第2期107-112,共6页Journal of Zhejiang University of Science and Technology

基　　金：中国博士后科学基金资助项目(中博基字[2015]15号);国家留学基金资助项目(浙教电传[2013]93号)

摘　　要：当代西方生态电影批评既来自生态批评、文学批评、文化研究、美学和电影学等学科的支撑和经验积淀,同时也在建构自身体系的过程中不断开拓和突破,呈现出对电影生态和整个人类文化发展态势的自觉关注,显示出极大的活力。在剖析西方生态电影批评发展历程的基础上,面对当下中国生态电影批评研究纷繁错杂、缺乏体系的状况,对当代生态电影批评理论资源的梳理,以及对其建构维度、发展趋向的考察,皆能为夯实中国生态电影批评的基础及进一步建设具有当代性的理论话语提供一定的参照。The contemporary Western ecocinema criticism has depended on the support of disciplines and accumulated experiences from ecological criticism, literary criticism, cultural studies, aesthetics, filmology, etc. , as well as has blazed new trails and made continuous breakthroughs in the process of constructing its own system, thus presenting a conscious focus on movie ecology and development trend of the whole human cultural undertakings with great vitality. In response to the current Chinese ecocinema criticism which is characterized as messy and unsystematic, the article will provide references for laying a solid foundation for Chinese ecocinema criticism as well as furthering the construction of contemporary theoretical discourses, by combing theoretical resources of contemporary ecocinema criticism and investigating the dimensions of its construction along with the trend of its development.

关 键 词：生态电影批评 生态文学批评 文化维度 审美维度 电影生态 

分 类 号：J905[艺术—电影电视艺术]