审美革命与工商文化的精神造型——海派散文的文学文化史意义  

Aesthetic Revolution and the Spirit Moulding of Industrial and Commercial Culture——The Literary and Cultural History Significance of Shanghai Prose

作　　者：陈啸[1,2] 

机构地区：[1]华中科技大学中文系,湖北武汉430074 [2]中南民族大学文学与新闻传播学院,湖北武汉430074

出　　处：《华中师范大学学报（人文社会科学版）》2017年第1期90-97,共8页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：教育部人文社会科学研究青年基金项目"1920-1940年代上海通俗文学与纯文学的关系研究"(10YJC751007)

摘　　要：海派散文是近现代中国最具有代表性的市民散文,其突出的特点是发现日常生活本身的美、幸福与乐趣,不求"载道"或本质,是传统文学中居于主流之外市井生活的发展与扩张。海派散文的发生与近现代上海的都市化进程相始终,本质上属于工商文化的精神造型。在一定的意义上,海派散文正体现了工商都会的主体意识,其所表达的是置身于现代工商社会中普通市民的人生感受与普遍心态,是近现代上海都市文化因内而外的主体性表现。海派散文作为近现代中国最具有代表性的市民散文或生活散文也同时标识着近现代中国工商化的进程。Shanghai prose is the most representative public prose in modern China. Its prominent feature is to find the beauty, happiness and fun in daily life without seeking the moral essence, which is the development and expansion of the street life outside of the mainstream of literary tradition. The occurrence of Shanghai prose is along with the process of the modernization of Shanghai, which belongs to the spirit moulding of industrial and commercial culture. In certain sense, Shanghai prose reflects the subject consciousness of the metropolis, telling citizen＇s life feeling and popular attitude in modern industrial society which is the subjective expression of modern Shanghai city culture. Shanghai prose marks the process of commerce and industry in modern Chinese.

关 键 词：审美革命 海派散文 海派文化 文学审美性 文化本体性 

分 类 号：I207.6[文学—中国文学]