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作 者:张开[1]
出 处:《黑龙江工业学院学报(综合版)》2017年第4期137-141,共5页Journal of Heilongjiang University of Technology(Comprehensive Edition)
摘 要:新世纪以来,在以乡下人进城为题材的小说创作中存在一种先进城、后返乡的叙事模式,该模式可以用这样的方式表现:乡下人以进城谋生为开始,以出事返乡为终点。旧海棠的新作《橙红银白》接续了这一模式,但其新颖之处在于道出了80、90年代出生的乡下人的进城经验,他们的新伤和父辈的旧痛一同构成了在城乡下人的沉重代价。小说关注社会现实,表现出了旧海棠关注生命的价值立场。但同时,这部小说在叙事层面上也存在薄弱之处,叙事人的主观情绪频繁介入叙事,不仅削弱了小说的真实性,同时也阻碍了对乡下人进城问题的深入探讨。Since the new century, there is a narrative mode about the theme of country folk who lived in the city. Living experiences of generation born in the 1980s and 1990s is presented in the novel ChenghongYinbai . The novel presents us a realistic scenario in China. But at the same time, it also has some weaknesses in the narrative perspective. The writer' s own emotion frequently intervenes the narration, it not only weakened the authenticity of the novel, but also hindered the in - depth study of the problem of migrant workers living in the cities.
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