陈衍“三元说”的渊源探微  

On the Origin of Chen Yan's Three-dimension

作　　者：杜宇平[1] 张克锋[1] 

机构地区：[1]集美大学文学院,福建厦门361021

出　　处：《兰州文理学院学报（社会科学版）》2017年第2期89-92,共4页Journal of Lanzhou University of Arts and Science(Social Science Edition)

摘　　要：陈衍《石遗室诗话》是晚清诗坛一部颇有影响的诗学著作,他提出的"三元说"也是诗学史上的重要理论成果。在继承前人诗学观,尤其是叶燮"中唐枢纽论"的基础上,陈衍提出"三元说",以变化作为诗歌发展的内部规律,将宋诗提到与唐诗比肩的地位,从而提出"诗不分唐宋"的观点。Chen Yan＇s Shi Yi Shi Poetry Critique is an influential book on poetry criticism in Late Qing Dynasty. His the- ory of Three-dimension is also an important theoretical outcome in the history of poetry. Based on the previous views of poetry, especially Ye Xie＇s idea on the key position of mid-tang period, Chen Yan＇s put forward the views of Three-di- mension, which regards changes as the internal rules of poetry, rising the position of Song poems to the equal status with that of Tang, then he stated his poetic viewpoints that ＂there is no boundary between Tang and Song poems. ＂

关 键 词：三元说 中唐枢纽论 诗不分唐宋 通变 

分 类 号：I207.2[文学—中国文学]