陕西省民间戏曲遗产的发掘和整理  

Exploration and Arrangement of Folk Opera Heritage in Shaanxi Province

作　　者：王英[1] 张立进[1] 

机构地区：[1]西安科技大学人文与外国语学院,西安710054

出　　处：《西安工业大学学报》2017年第1期74-80,共7页Journal of Xi’an Technological University

基　　金：陕西省教育厅科学研究计划项目(14JK1454)

摘　　要：为了保护传统戏曲文化,1950-1960年,陕西省经历了传统民间戏曲遗产的的挖掘和整理,在挖掘整理戏曲遗产的过程中,广大文化干部和知识精英做了很多具体工作,收到了良好效果,在很大程度上为保护传统戏曲遗产作出了贡献.本文以档案和方志等文献为基础,进行社会文化史的梳理,力求呈现出戏曲遗产整理运动的脉络.与晚清和五四以来知识分子主导的"民间文学"运动不同,当代中国的民间戏曲挖掘和整理运动,是由中国共产党领导、政府部门推动,知识分子、剧团、老艺人等多元力量共同配合下完成,同时获得了财政和社会舆论上的广泛支持,收效甚大.研究这段历史,有助于我们理解陕西省民间戏曲文化走过的历程,也为今天继续继承和发扬优秀传统文化提供宝贵的历史借鉴.In order to protect the traditional opera culture,Shaanxi province explored and arranged folk opera heritage from the 1950s to the early 1960s, during which a large number of officials and intellectual elites did a lot of specific jobs. They made a substantial contribution to protecting the traditional opera heritage. Based on the archives,records and other literature, the paper reviews the socio -cultural history, showing the whole process of sorting movement of opera heritage. Different from the ＂folk literature＂ movement dominated by intellectuals since the late Qing dynasty and the May 4th movement, the contemporary movement of rescuing and arranging folk opera is led by the Communist Party, promoted by the government sectors and coordinated by various forces such as intellectuals, troupes,old actors and so on. Also, this movement has won wide financial and public supports and achieved great success. This study not only helps us understand the development of opera culture in Shaanxi province, but also provides a valuable historical reference for us to continue inheriting and carrying forward traditional culture today.

关 键 词：民间戏曲 传统文化 戏曲遗产 陕西地区 

分 类 号：J809.2[艺术—戏剧戏曲]