近年来中国大江健三郎小说叙事研究述评  

A Review of Recent Studies on the Narrative of Oe Kenzaburo's Novels in China

作　　者：兰立亮[1] 

机构地区：[1]河南大学外语学院,河南开封475001

出　　处：《山西高等学校社会科学学报》2017年第4期94-96,102,共4页Social Sciences Journal of Universities in Shanxi

基　　金：教育部人文社会科学规划项目"大江健三郎小说理论研究"(15YJA752004);中国博士后基金第53批面上项目"大江健三郎小说诗学研究"(2013M531661);河南省教育厅人文社会科学研究重点项目"德日当代作家的二战记忆与文学书写比较研究"(2015-ZD-150);河南省社科联调研课题"日本现代小说叙事流变与伦理指向研究"之阶段性成果

摘　　要：大江健三郎是一位视形式创新为写作生命的作家,其对小说叙事孜孜不倦的追求也使其文学成为日本当代文学形式实验的风向标。通过对近五年来中国大江健三郎小说叙事研究的梳理可以看到,中国学者在叙事格调、叙事时空、叙事伦理三个方面的研究上做出了积极的尝试,但尚需从整体上对大江健三郎小说叙事给予全面探讨,方能描绘出大江健三郎小说叙事的整体面貌。Oe Kenzaburo is a writer of innovation in the form of writing, and his tireless pursuit of narrative makes his novels the vane of contemporary Japanese experimental literary form. Reviewing the past five-year narrative study on Oe Kenzaburo＇s novels in China, the author of this paper observes that Chinese scholars have analyzed Oe Kenzaburo＇s novels mainly from three aspects including narrative style, narrative time and narrative ethics. Yet, a comprehensive discussion on the narrative of his novels is quite necessary. Only in this way can we give an integrated depiction of the narrative in Oe Kenzaburo＇s novels.

关 键 词：大江健三郎 小说叙事 叙事格调 叙事时空 叙事伦理 

分 类 号：I06[文学—文学理论]