论《繁花》和《长恨歌》中的上海怀旧书写  

Description of Nostalgia for Shanghai in “Flowers” and “Everlasting Regret”

作　　者：张晓英[1] 

机构地区：[1]上海师范大学人文与传播学院,上海200234

出　　处：《湖北工业职业技术学院学报》2017年第2期75-78,共4页Journal of Hubei Industrial Polytechnic

摘　　要：20世纪90年代上海怀旧是一个引人注目的文学现象,《繁花》与《长恨歌》作为上海怀旧的代表作,以各自的方式追忆曾经的上海。《繁花》通过描写不同人的命运来展示平民眼中的上海,既有温情的回忆又有淡淡的忧伤。《长恨歌》以王琦瑶的一生表现上海20世纪40年代以来的风雨漂浮,刻画出上海弄堂里不问时事的小资情调。两部作品通过对旧上海的文化追忆和想象,渴望重新建立城市定位,寻找城市自我。In the 1990s nostalgia for Shanghai is a remarkable literary phenomenon,and ＂Flowers＂ and ＂Everlasting Regret＂ as the representative work of this style,recall the old Shanghai in their own ways. ＂Flowers＂ reveals Shanghai in the perspective of ordinary people by describing the fate of different people,which has memories of warmth and a little sadness. ＂Everlasting Regret＂ shows the turbulent Shanghai since the 1940s by describing the life of WANG Qi-yao,and depicts the bourgeois taste of Shanghai nongtang. The authors desire to rebuild city orientation in these two works with cultural recollections and imagination of old Shanghai.

关 键 词：繁花 长恨歌 上海怀旧 

分 类 号：I206.7[文学—中国文学]