女性生命意识的封闭与放纵——原型视角下的《永远有多远》  

The Closedness and the Indulgence of Feminine Life Consciousness——“How Far Is Forever” Under the Perspective of Archetypal Criticism

作　　者：蒲伊琳 

机构地区：[1]河南大学文学院,河南开封475000

出　　处：《洛阳师范学院学报》2017年第3期63-66,共4页Journal of Luoyang Normal University

摘　　要："原型"承载着一个民族的共同文化心理,因而作家在创作时总是会有意或无意地引入原型。在《永远有多远》中,铁凝将母亲原型和"狐狸精"原型运用到作品中,塑造出性格上截然对立的两类女性,并将她们放在同一环境下进行比较,从而使白大省的善、西单小六的媚以及小玢的蛮都更加鲜明。铁凝从时代角度出发,对男权社会下女性生存境遇的深切观照,展现女性对当下自身生存状态和更深层次的生命体验的思考与追问。＂Archetype＂ carries the common cultural psychology of a nation. Thus, writers bring consciously or unconsciously archetypes into their literary creation. In How Far is Forever, Tie Ning applies mother archetype and ＂fox spirit＂ archetype in portraying two types of females of distinct personalities and comparing them in the same setting, where the good nature of Bai Daxing, the bewitching charm of Xidan Xiao Liu and the peremptory character of Xiao Fen are more distinctively brought to life. Tie Ning shows deep concern for the living circumstances of females in the patriarchal society form perspective of times, which reveals how females think about their living conditions and life experiences on a deeper level.

关 键 词：原型批评 母亲原型 “狐狸精”原型 女性生命意识 

分 类 号：I207[文学—中国文学]