雅正与新怪:王禹偁古赋的两个面相  

Orthodox and Odd:Two Faces of Wang Yucheng's Ancient Fu

作　　者：王彬[1] 秦玮[1] 

机构地区：[1]山东大学文学院,山东济南250100

出　　处：《河北广播电视大学学报》2017年第2期33-37,共5页Journal of Hebei Radio & TV University

摘　　要：王禹偁的《小畜集》内收有5篇古赋,今人编纂的《全宋文》《宋代辞赋全编》等总集中另补辑了3篇集外赋,即《红梅花赋》《怪竹赋》和《花权赋》。这3篇集外赋在题材选择、思想情感等各方面与《小畜集》内收录的古赋大异其趣。《小畜集》内的古赋是雅正的,这3篇集外赋却是新怪的。王禹偁作赋曾追求"奇"格,他的集外赋当是年轻时所为。正是因为有雅正与新怪两个不同面相的存在,王禹偁的古赋创作才显得更为饱满。There are five pieces of ancient fu in Wang Yucheng＇s Collection of Xiao Chu. The present scholars find out three pieces of lost fu, which are included in the Complete Works of Song and the Com- plete Collection of Ci and Fu of the Song Dynasty. These three pieces are respectively Red Plum Fu, Odd Bamboo Fu and Flower Power Fu. They are greatly different in selecting themes and sentiments from the ancient fu in Collection of Xiao Chu. Specifically speaking, the five pieces in Collection of Xiao Chu are orthodox while the lost fu is just odd. When Wang Yucheng was young, he liked strange style in liter- ary creation and wrote these three pieces of fu. It is because there are two different existing faces of ortho- dox and odd, Wang Yucheng＇s ancient fu creation appears much fuller.

关 键 词：王禹傅 古赋 雅正 新怪 

分 类 号：I207.224[文学—中国文学]