当下中国电影的类型重组与价值取向的错位  

The Reorganization of China's Genre Films under the Current Situation and Misplacement of Value Orientations

作　　者：金丹元[1] 田承龙[1] 

机构地区：[1]上海大学上海电影学院,上海200072

出　　处：《上海大学学报（社会科学版）》2017年第3期72-80,共9页Journal of Shanghai University(Social Sciences Edition)

基　　金：上海大学电影学高峰学科项目资助(2016)

摘　　要：在电影产业化的当下,为应对市场的多重需求,由以往电影类型重组或转化而来的新类型电影不断涌现。然而,新事物往往也会伴随着新问题。从我国类型电影重组的时空和文化语境出发,进而分析和反思类型电影在重组过程中所出现的一些弊端,同时对在电影类型重组过程中如何兼顾商业性、文化性和审美趣味,以应对日趋激烈的市场挑战,又如何坚持正确的社会导向来抵御以好莱坞电影为首的外来文化的冲击等问题上,作出一些思考。As film industrialization proceeds under the current situation, in response to the multiple needs from the market, ＂new＂ genre films spring up stemming from the reorganization or transformation from previous types, and occupy the market in a ＂swift＂ manner. However, new problems often accompany with the advent of new things. The article starts from the temporal, spatial and cultural contexts in which the reorganization of China＇ s genre films take place, further analyzes and reflects on the problems that have occurred in the process of reorganization, and meanwhile presents the author＇s personal reflections on how to coordinate commercial profit, cultural significance and aesthetic taste in the process of reorganization so as to respond to the increas- ingly fierce market challenges, as well as on how to ward off foreign cultural assault headed by Hollywood mov- ies.

关 键 词：类型电影 电影产业 类型重组 价值悖论 观众监督 

分 类 号：J912[艺术—电影电视艺术]