米兰壁画的年代及风格学特征综考  

Analysis on Milan Mural's Painting Style and Chronology

作　　者：张健波[1] 

机构地区：[1]新疆艺术学院美术系,新疆乌鲁木齐830049

出　　处：《新疆艺术学院学报》2017年第1期50-58,共9页Journal of Xinjiang Arts University

基　　金：教育部人文社科项目"丝绸之路南道佛教艺术及其中亚传播路线研究"(14YJA760049);本文为该项目的成果之一

摘　　要：米兰壁画的表现手法与绘画风格属于早期犍陀罗艺术,并具有浓厚的希腊罗马风格。米兰壁画的内容、形式、佉卢文题记以及佛寺的建筑样式,这些方面都从年代学角度显示出其所属时代可能早至公元2世纪。通过与克孜尔壁画中童子像发式的比较并结合克孜尔207窟的壁画内容,可以进一步确定米兰壁画的成画年代与人文背景,这些因素说明了它与大夏—巴克特里亚艺术之间的关系。米兰壁画的图像样式既反映了犍陀罗艺术的影响,也是早期佛教艺术在塔里木盆地传播的结果。Milan mural＇s painting technique and style belongs to the early Gandhara art, and has abundant Greek and Roman style. Its content, form, Qu-lu language words and the Buddhist temple＇s architecture manner showed its era may be early to the 2nd century from chronology. Comparing with the lad hair in the Kizil murals and analyzing the Kizil murals in the 207th cave, we can confirm Milan mural＇s era and humanities background, and these factors explained the relationship between it and Daxia-Bactoria＇s art. Milan mural＇s image character was reflected by the influence of Gandhara art, and also is the result of early Buddhist art spreading in Tarim basin.

关 键 词：米兰壁画 佛教艺术 有翼天使 犍陀罗美术 

分 类 号：K879.41[历史地理—考古学及博物馆学]