如歌、如泣、如诉:“楚调唐音”歌吟近体诗之音乐特性  

As Singing, Weeping and Saying: the Music Characteristics of Modern Style Poetry Singing with "Chu Tune and the Poetry Singing Style in the Tang Dynasty"

作　　者：江赟[1] 

机构地区：[1]江西科技师范大学,江西南昌33013

出　　处：《江西科技师范大学学报》2017年第2期92-102,共11页Journal of Jiangxi Science & Technology Normal University

基　　金：江西省社科规划课题"非物质文化遗产楚调唐音歌吟的音乐特性研究"(编号:11YS08);主持人:江赟;江西省艺术科学规划课题"非物质文化遗产-楚调唐音歌吟的校园传承研究(编号:YG2012039);主持人:江赟

摘　　要："楚调唐音"歌吟(江西省非物质文化遗产)是我国传统吟诵众多流派中的一个重要分支。歌吟作为中华文化的一种回归,它将有形的文字转化为声音,进而艺术化、人文化。通过对当代唯一传承人的歌吟曲谱的采集及口传记录,依据"楚调唐音"歌吟在同一首诗(词)中可分别采用如歌、如诉、如泣三种吟唱模式的特性,选取近体格律诗的歌吟曲谱为音乐分析对象,探寻总结其歌吟之基本规律,为丰富吟诵音乐形态的地域研究提供参考。poetry singing with ＂Chu tune and the singing style in the Tang dynasty （an intangible cultural heritage of Jiangxi province） is an important branch of China＇s traditional recitation genres. Poetry singing as a return of the Chinese culture, it turns the visible text into voice and makes it artistic and humanized. The author started the work of adopting the tune and the oral record of the contemporary sole inheritor, according to the characteristics of 3 singing styles of singing, weeping and saying of ＂Chu tune and the singing style in the Tang dynasty＂. It selected modern style poetry to analyze, and summarize the basic rules of the poetry singing, so as to provide reference for regional research of chanting music patterns.

关 键 词：如歌 如泣 如诉 “楚调唐音”歌吟 近体诗 音乐分析 

分 类 号：J609.2[艺术—音乐]