洛谢夫象征美学理论与陀思妥耶夫斯基的艺术世界  

A.Losev's Theory of Symbolical Aesthetics and Dostoevsky's Artistic World

作　　者：刘锟[1] 

机构地区：[1]黑龙江大学

出　　处：《俄罗斯文艺》2017年第2期52-58,共7页Russian Literature & Arts

基　　金：教育部人文社会科学研究基地重大项目"А.Ф.洛谢夫的美学理论研究"(12JJD870001)阶段性成果

摘　　要：俄罗斯20世纪最后一位唯心主义哲学家洛谢夫一生发表和出版了大量的美学领域的重要著述,其思想体系具有深刻的哲学内涵和辩证法特征。而象征是洛谢夫哲学美学理论中的重要概念,这一概念不但融汇在其整个理论探索和逻辑分析之中,而且也融汇在后期的理论建构中。洛谢夫认为,象征是世界存在本质最直接和必不可少的表达,这种象征理论对于揭示陀思妥耶夫斯基创作和艺术世界的奥秘是一个具有重要价值的视角和方法。As the last idealist philosopher in the 20th century in Russia, Loser wrote a lot of works in the field of aesthetics with profound philosophical implications and dialectic features. And symbolization is a very important concept in Losev＇ s theory of aesthetics. Not only was it integrated into Loser＇ s whole theoretical exploration and logical analysis, but it was also constructed into a theory later. According to Losev, symbolization is the most immediate and indispensable expression of the world＇ s existential nature. Such a theory of symbolization provides a highly valuable perspective and method for revealing the secrets of Dostoyevsky＇ s creation and artistic world.

关 键 词：洛谢夫 陀思妥耶夫斯基 象征 

分 类 号：I01[文学—文学理论]