生态美学视野下的“广南图符壮歌”解读  

A Contrual of “Guangnan Zhuang Icon Song” Seen from Ecological Aesthetics

作　　者：王光斌[1] 戴艳[2] 

机构地区：[1]文山学院人文学院,云南文山663099 [2]文山学院艺术学院,云南文山663099

出　　处：《文山学院学报》2017年第2期1-9,共9页Journal of Wenshan University

基　　金：地校合作项目"美学视野下的广南八宝歌书"(13WSWT01)阶段性成果

摘　　要：从生态美学的角度进行观照,独特的中国"广南图符壮歌"体现了当地壮族在长期稻作农耕生活中所形成的生态审美文化:整体生态性、自然生态性、社会生态性、个体生态性。在生态观念基础上所形成的和谐关系及其形态自有其美学价值,与"绿色""协调"发展理念是一致的,值得在生态文明建设、构建和谐世界的进程中学习借鉴。Seen from ecological aesthetics, the unique ＂Guangnan Zhuang icon song of China＂ represents ecological aesthetic culture formed in local Zhuang peple＇s long rice-cultivating life, including integral, natural, social and individual ecologicality. The harmony relation and its aesthetic value based on ecological concept conform to the ideas of ＂Green＂ and ＂Concord＂, which is worth learning in the construction of ecological civilization and harmony world.

关 键 词：广南图符壮歌 稻作生活 生态审美 和谐形态 美学价值 

分 类 号：I277.291.8[文学—中国文学]