论杨维桢对古典游仙诗传统的突破创新  

On YANG Weizhen's Breakthrough and Innovation of Traditional Fairyland Excursion Poetry

作　　者：朱曙辉[1] 霍美丽[1] 

机构地区：[1]宿州学院文学与传媒学院,安徽宿州234000

出　　处：《宜春学院学报》2017年第5期87-91,共5页Journal of Yichun University

摘　　要：元末杨维桢的《小游仙》组诗是中国古典游仙诗发展的一个重要节点,对它的分析是厘清游仙诗从中古传统向近代传统过渡的必然桥梁。杨维桢这组游仙诗以个人情性为立足点,对古典游仙诗传统加以改造,打破了前代游仙诗以虚构为主的写作惯例,实现了真实与虚构的共融,使得游仙诗在保持原本诗体特征的同时,重新与真实的人生体验相关联,即提升了这一诗体的现实价值,又拓宽了其生存空间,同时还在风格领域加以创新,对古典游仙诗的发展做出了重大贡献。Yang Weizheng fairyland excursion poems, which named Xiao- you- xian, take the？ true personality？ as？ foothold to made a great？ change to the traditional Chinese fairyland excursion poetry, change the previous writing pattern of fairyland excursion poetry which？ mainly？ consists？ of fictional wonderland？ experience, to realize the？ harmony？ of truth and fiction. This change made the fairyland excursion poem to be able to keep？ its own poetic？ features, and to be associated with？ the real life again as well. It not only enhanced the？ practical value？ of the fairyland excursion poetry , but also opened up a？ broader space for later development of this kind of poetry. All？ in？ all, as the most important poet in the late Yuan Dynasty, Yang Weizhen made a significant contribution to？ the ancient Chinese fairyland excursion poetry.

关 键 词：杨维桢 游仙诗 情性 虚构 险怪 

分 类 号：I222.7[文学—中国文学]