中世纪诗学形式论  

Theory of Poetic Forms in the Middle Ages

作　　者：王汝虎[1] 

机构地区：[1]复旦大学中文系

出　　处：《理论界》2017年第4期76-81,共6页Theory Horizon

基　　金：2016年教育部人文社会科学研究重点研究基地重大项目“中国古代形式批评理论类编与研究”(16JJD750013)的研究成果

摘　　要：相比繁荣兴盛的古希腊美学和20世纪西方形式主义美学,中世纪美学中的形式观念往往不能引起研究者的重视,常态上以之为无甚理论创新和艺术史价值。实际上,从奥古斯丁到阿奎那,在神学美学笼罩下的中世纪美学观念,对于以比例、轮廓和完整等为特征的形式审美,一直有着完整而又深刻的探讨,也是其神学与美学观念的核心问题之一。Compared with the prosperity of the ancient Greek aesthetics and formalism in the 20th century, the concept of aesthetic form in the Middle Ages doesn ＇ t draw the attention of scholars, and often is thought little theory innovation and value in art history.In fact, both Augustine and Thomas Aquinas, in the shadow of theological aesthetics, have a complete and profound discussion in the form of aesthetic, which is characterized by proportion, outline and integrity etc.Besides, it is also of the core issues of theology and aesthetic concept.

关 键 词：诗学 形式论 奥古斯丁 托马斯·阿奎那 

分 类 号：J0[艺术—艺术理论]