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作 者:杜海军[1]
出 处:《江苏师范大学学报(哲学社会科学版)》2017年第3期54-62,共9页Journal of Jiangsu Normal University:Philosophy and Social Sciences Edition
基 金:国家社科基金项目"石刻文献与文学研究"(项目编号:14XZW001)阶段性成果
摘 要:石刻的文学意义历来不被研究者重视,叶昌炽说研究文学对于石刻而言等于买椟还珠。在此观念的影响下,对石刻的文学价值至今关注者不多,研究成果也有限。实际上,石刻在文学研究方面隐含有极大的价值:可补文集之缺、文体之缺、文学史料之缺、作品题材之缺等。对于研究者而言,石刻之文学研究是一个亟待开发的课题,深入研究石刻文学,会为文学史增加新的研究内容与方法,从而使我国的文学史呈现出更加完整、真实的发展面目,展现出文学史的多姿多彩。The literature meaning of the stone inscription is always neglected by the researchers in history, for example, Ye Chang-chi thought stone inscription as the subsidiary of the literature study, which he made a metaphor in ancient Chinese idiom Mai Du Huan Zhu. Under the influence of such perception, researchers pay little attention to the literature meaning of the stone inscription, and the corresponding research production is limited. As a matter of fact, the stone inscription is highly valuable for the literature study, it can supplement the corpus, the literary form, the history of literature and the literary theme. All in all, the stone inscription can add new contents and new methods to the study of the history of literature: for the researchers, it's a valuable topic needed to be studied intensively; for the history of literature, it can help us to construct a more complete and more authentic literature developing process, presenting a varied and grace appearance of the history of literature.
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