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作 者:尹晶[1,2]
机构地区:[1]清华大学 [2]外交学院英语系
出 处:《文艺理论研究》2017年第3期209-216,共8页Theoretical Studies in Literature and Art
基 金:外交学院中央高校基本科研业务费专项资金[项目编号:3162016ZYQA02]阶段性成果
摘 要:特里·伊格尔顿(Terry Eagleton)在《理论之后》中对曾盛极一时的各种后理论进行了批判,提出文学理论要重新回归文学本体,要在道德和伦理等宏大问题上进行建构性的反思。本文试图在伊格尔顿提出的"文学伦理学"的基础上,在其理论反思所凸显的"事件"的基础上,将吉尔·德勒兹和阿兰·巴迪欧的"事件"哲学概念结合起来,继续推进伊格尔顿对理论的反思,尝试发展出一套行之有效的事件文学理论。事件文学理论关注的是作家作为事件的忠诚主体通过语言事件表现生命事件,关注的是读者作为事件的忠诚主体接受这些生命事件,通过自己的生成让它们颠覆日常生活中的规则、习惯、风俗、标准等等。因此可以说,这正是伊格尔顿所期待的"文学伦理学"。Terry Eagleton criticized different kinds of post theories which were once in fashion in his After Theory, and proposed that literary theory should return to literature itself and reflect on such grand issues as morality and ethics in a constructive way. Based on the "literary ethics" put forward by Terry Eagleton and the concept of "event" highlighted by his theoretical reflection, this paper tries to combine Gilles Deleuze's and Alain Badiou's concepts of "event" in order to carry forward Eagleton's reflection on theory and develop an effective theory of event literature, which focuses on writers who, as the faithful subjects of events, describe life events--different becomings--through language events, and on readers who, also as the faithful subjects of events, make those events subvert the rules, conventions, customs, standards, etc. in their daily life by virtue of their becomings. Therefore, we can say this theory of event literature is the "literary ethics" expected by Eagleton.
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