从陆华柏民国时期的音乐文论看其音乐观  

Lu Huabo's Music View Seen through His Essays Written before 1949

作　　者：丁卫萍[1] 

机构地区：[1]常熟理工学院,音乐学江苏常熟215500

出　　处：《南京艺术学院学报（音乐与表演版）》2017年第1期5-14,共10页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：目前学界所见陆华柏于民国时期撰写的音乐文论仅为《所谓新音乐》。本文从民国时期陆华柏发表于《扫荡报》、《中国新报》等刊物的67篇音乐文论中选取体现其音乐观的音乐文论近20篇,考察这些史料呈现的陆华柏至今不为学界所知的音乐观:支持抗战音乐,探索民族气派的和声,改进国乐,提倡创造新的、中国人民的音乐。史海钩沉,希望能够进一步推动学界陆华柏音乐文论研究。At the present Lu Huabo's single essay published before 1949 on music seen by the academic circle is The So-called New Music. This writing selects some 20 ar ticles on music by Lu Huabo published on the newspapers the Sao Dang Bao and the New China before 1949 and examines Lu's view on music, which is suppor ting the music related to the Anti-Japanese War, exploring the national style harmony, and creating the new and Chinese music, all of which are unknown until today.

关 键 词：陆华柏 支持抗战 中国气派和声 改进国乐 中国情趣 新的人民的音乐 

分 类 号：J609.2[艺术—音乐]