歌谣与吴地文人——以清代常州为例  

The Ballads and the Literati in the Wu Area:A Case Study of Changzhou in the Qing Dynasty

作　　者：纪玲妹[1] 

机构地区：[1]河海大学地方文化研究所,江苏常州213022

出　　处：《南京师范大学文学院学报》2017年第2期34-42,共9页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：国家社科基金重大项目"明清民国歌谣整理与研究及电子文献库建设"(项目编号:15ZDB078)

摘　　要：清代常州文人对歌谣等民间文学资源相当珍视,他们努力弘扬歌谣传统。在他们的视野中,歌谣传播丰富多彩,而且还注意将歌谣中的开放精神与艺术手法渗透到自己的创作之中,黄仲则便是其中的一个典型。这从一个方面说明清代吴地文人将目光投向草野文学——民间歌谣,并从民间歌谣中汲取营养,不断推动文学启蒙思想的发展。The literati of Changzhou in the Qing Dynasty have paid great attention to the folk literature re- source such as the ballads, and made efforts in carrying forward the tradition of ballad. In their perspective, this tradition was rich and colorful, and the spirit of openness and the artistry of these ballads have infiltrated into their own creation. Huang Zhongze is a typical example. This indicates that in the Qing Dynasty, the lite- rati in the Wu area have set their sights on the grass root literature such as the ballads, absorbing nourishment from the folk literature in order to promote the development of the thought of literature enlightenment.

关 键 词：歌谣 清代 常州文人 

分 类 号：I206.2[文学—中国文学]