转型期的乡土惶惑:论《秦腔》  

Confusion about the rural society in transition: study on Qin Qiang

作　　者：张晓玥[1] 唐碧波[1] 

机构地区：[1]浙江工业大学人文学院,浙江杭州310023

出　　处：《浙江工业大学学报（社会科学版）》2017年第2期214-219,共6页Journal of Zhejiang University of Technology：Social Sciences

基　　金：浙江省社会科学基金项目(14NDJC181YB)

摘　　要：贾平凹的乡土书写始终聚焦于转型期的社会历史复杂性,并在时代精神和社会情绪的纵深透视的同时,细腻地呈现了自我的独特心灵体验。《秦腔》以新世纪以来中国城乡的巨大变革为历史背景,聚焦"乡土—家园"的文学母题,以难以弥合的"家"的分裂,构成了传统乡土社会终将消逝的历史隐喻;并将自我的情感与理智的深刻矛盾贯穿其中,小说因此具有了作家的自我精神图谱意味。小说形式上注重对民间传统艺术资源的汲取,具有以情带事、事中含情的叙情性特征。乡土不再是诗意的精神故园,是《秦腔》关于中国新世纪乡土文学的再发现的留白。; Jia Pingwa＇s unique creative feature lies in his representation of the psychological self within the historical and emotional complexities of a transitional society. Qin Qiang metaphorically blends the irreversible elapse of tradition into an irreconcilable fragmented structure of family, and in some degree achieves the n e w profound perspective of the literature motif called “native soil- home”. This expressionistic novel, which shows a division of the physical self and the psychological self as well as the mental self and the sentimental self, fully represents the psychological pattern of the novelist himself. Stylistically, as a sentimental narration, it derives a lot from the traditional ar-tistic resources, and shows its best when the affection is combined with the narration.

关 键 词：贾平凹 《秦腔》 乡土文学精神 

分 类 号：I207[文学—中国文学]