西南民族地区“乐器说话”运用及文化价值解读  

Southwest National Area “Instrument Talk” Application and Interpretation of Cultural Value

作　　者：刘群霞[1] 

机构地区：[1]湖南理工学院音乐学院,湖南岳阳414000

出　　处：《贵州民族研究》2017年第5期97-100,共4页Guizhou Ethnic Studies

摘　　要："乐器说话"现象在西南民族地区普遍存在,这种古老而特殊的文化现象在民族文化和历史的浸润下,已经成为当地少数民族特有的文化符号,是大众认识和理解民族社会的一个窗口,在此意图通过当地民族社会"乐器说话"的运用和文化价值分析,抛砖引玉,引起学术界对民族地区特有文化现象的关注,进而引发对少数民族文化的关注。Musical instruments ＂speak＂ phenomenon is widespread in the minority areas in southwestern China, the oldand special cultural phenomenon in the culture and history of the infiltration of has become the local ethnic specific culturalsymbols, public understanding of a window of the national society. This thesis attempts through the analysis of the localethnic and social instruments speak in the application value and cultural value, attract the attention of academics to minorityareas unique cultural phenomenon, which caused the attention of regional or national minority culture.

关 键 词：民族乐器 芦笙 苗族 

分 类 号：J63[艺术—音乐]