1927～1937年上海地区女子服饰与新女性形象  

Women's clothing in Shanghai and the new female image in 1927～1937

作　　者：刘玉琪[1] 陈芳[1] 

机构地区：[1]北京服装学院

出　　处：《艺术设计研究》2017年第2期36-43,共8页Art & Design Research

基　　金：国家社科基金艺术学重点项目"传统服饰中的‘中国元素’及创新设计研究"(项目编号:ZXKY03140409);北京市教委长城学者培养计划(项目编号:CIT&TCD20150307)阶段性成果

摘　　要：本文以民国时期1927~1937年十年间上海地区女子服饰为主要研究对象,以《上海画报》《良友》《玲珑》刊载的1927~1937年的女子服饰图像为主要参考资料,将上衣下裙和旗袍两种主流女子服饰的发展进行分析,进而讨论在这十年间新女性形象是如何塑造的,并最终确立知识女性,尤其是女学生是推动中国近代女子服饰变革的主体,也是塑造近代新女性形象—独立、有知识、爱国的主力成员。This paper takes the women costumes as the major object of study during 1927-1937 in Shanghai through the images of ladies＇ costume published in The Shanghai Pictorial, The Young Companion, Exquisite, material object collection in library and document literature, then carries on research on two kinds of mainstream prevalent female fashion which were coat-skirt and cheongsam, and has a discussion on the shaping of new women images in recent decade. Ultimately, college girls are particularly established as the driving force of the reform in Chinese modern female costumes, with other intellectual women. Asides, they are the principal members who devoted to shaping the images of new women--Independence, Intelligence, Patriotism.

关 键 词：1927~1937年 女子服饰 上海 新女性形象 

分 类 号：J523.5[艺术—艺术设计]