论绘画美学思想与建筑艺术形态之同构性  

Isomorphism of Painting Aesthetics and Architectural Art Form

作　　者：周靓[1] 郭线庐[2] 

机构地区：[1]西安建筑科技大学建筑学院,陕西西安710055 [2]西安美术学院,陕西西安710065

出　　处：《南京艺术学院学报（美术与设计）》2017年第4期100-102,共3页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：中国博士后科学基金第61批面上资助项目(2017M613286XB);陕西省科学技术研究发展计划项目(2012KRM103)

摘　　要：同构现象(isomorphism)是视觉美学的概念,指某个共同的元素为多个载体所共用的现象,构成的新元素不是原图形的简单相加,而是一种超越或突变。建筑艺术派别、绘画艺术作品中多有同构现象产生,许多作品之间的影响超越了美与丑的界限和范畴。本文试图通过建筑师、艺术家及其作品的比对,准确的解读出绘画美学与建筑艺术发展的思想性、关联性及规律性。通过对绘画与建筑同构性的研究寻找绘画与建筑跨界的基础,从而找到更加明确和推动跨界设计的方法和着手点,将是本文最终意义所在。Isomorphism is a concept of visual aesthetics,which refers to a phenomenon of a common element being used by multiple carriers,and coming into being a new result not simply the sum of the original graphics,but a transcendence,or a mutation,and give the audience a rich psychological feeling.There are often isomorphic phenomena in architectural art and painting works,and the influence between many works transcends the boundaries and categories of beauty and ugliness.This paper attempts to interpret the authenticity,ideology,relevance and regularity of the development of painting aesthetics and architectural art through the comparison of architects,artists and their works.Through the study of the isomorphism between painting and architecture to find the basis of crossing border between painting and architecture,and to find out more clearly and promote the method and starting point of cross-border design is the ultimate significance of this article

关 键 词：绘画美学思想 建筑艺术形态 同构 

分 类 号：J201[艺术—美术]