身体消费与“灰姑娘”的童话梦——解读欧茨小说《浮生如梦》  

Body Consumption and “Cinderella's” Fairy Tale:Analysis of Oates's Blonde

作　　者：李庆[1] 杨革新[1] 

机构地区：[1]华中农业大学外国语学院

出　　处：《当代外国文学》2017年第2期63-70,共8页Contemporary Foreign Literature

基　　金：中央高校基本科研业务费专项资金资助项目"文化研究视角下的欧茨小说"(项目编号:2662015RW002);中央高校基本科研业务费专项资金资助项目"西方伦理批评的复兴及其在21世纪的新发展"(项目编号:2662015PY215)阶段性研究成果;国家社科基金项目"美国伦理批评的历时发展及其演变研究"(项目编号:12CWW004)

摘　　要：欧茨的小说《浮生如梦:玛丽莲·梦露文学写真》从女性心理的角度重构了玛丽莲·梦露这一历史人物。本文将小说纳入消费文化的语境,分析诺玛·珍成名背后,身体被消费文化规训和符号化建构的过程,以及对她的命运造成的影响。消费文化借助电影媒介的意识形态操控作用和资本的权力运作,营造童话梦境、规训女性身体,将诺玛·珍的身体打造成一个消费品符号;然而身体消费的现代性悖论最终造成她自我认同的混乱和爱情、家庭、事业梦想的破灭。In Blonde, Joyce C. Oates reconstructs the historical figure Marilyn Monroe from the perspective of female psychology. Interpretered from the perspective of consumer culture, this novel reveals the process of how Monroe＇s body is disciplined and symbolized in consumer society and its influence to her destiny. Taking movie as the medium, consumer culture makes use of Patriarehic construction of female body embodied in fairy tales to discipline Monroe＇s body, and turns it into a consumer product under the power operation of capital, and leads to the crisis of her self-identity and disillusionment with love, marriage and career.

关 键 词：欧茨 《浮生如梦》女性身体 童话 消费文化 

分 类 号：I712.074[文学—其他各国文学]