中国艺术歌曲创作的民族性  

Nationality in the Composition of Arts Songs in China

作　　者：高静[1] GAO Jing(School of Music, Jiangsu Normal University, Xuzhou 221000, China)

机构地区：[1]江苏师范大学音乐学院,江苏徐州221000

出　　处：《南通大学学报（社会科学版）》2017年第4期116-122,共7页Journal of Nantong University:Social Sciences Edition

摘　　要：艺术歌曲始于欧洲德国,上世纪二十年代传入中国,经过近百年来我国许多音乐先驱的引入、融化与创新,至今已进入成熟期。中国艺术歌曲的民族性特征,主要表现在对古诗词题材的选择,对具有民族特色的新诗的运用,对传统作曲技法的继承与创新上。特别是改革开放以后,艺术歌曲呈现的民族特征,阐述了中国艺术歌曲必须走"内容的诗化、旋律的美化、伴奏的优化、风格的个性化"的发展之路。Art songs originated from Germany, and were introduced into China in 1920s. After the introduction, integration and innovation in the past ten decades, it comes to maturity. The features of nationality in Chinese art songs are reflected in three aspects, namely, the choice of themes from ancient poems and essays, the application of new poems with ethnic flavor and the inheritance and innovation of skills from traditional composition. After the up and reform, the nationality in art songs reveals that Chinese art songs should be poetic, beautified, optimized and individualized in its development.

关 键 词：欧洲艺术歌曲 发展历程 中国艺术歌曲 民族特征 中国化 

分 类 号：J642.5[艺术—音乐]