人民的偶像--毛泽东图像艺术研究  

The Idol of the People: The Study of Mao Zedong's Image Art

作　　者：赵湘学[1] 

机构地区：[1]湖南科技大学艺术学院,湖南湘潭411201

出　　处：《湖南科技大学学报（社会科学版）》2017年第4期18-22,共5页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：教育部人文社会科学青年基金项目(13YJC760118)

摘　　要：在人类图像历史与发展中,毛泽东本人与毛泽东图像艺术是完美应合的。毛泽东本人的影响力决定了他的图像话语权,其形象的确立是与他的历史地位紧密相联的。一个国家与民族的真正强大,不是建立在毁坏一个人声誉之上的,真正的艺术也不是建立在丑化开国领袖和民族英雄之上的。研究毛泽东图像艺术,正确评价毛泽东,具有非常重要的意义。如果说新中国是毛泽东的创造,那么毛泽东图像艺术就是人民的"创造"。图像乃是展开的历史,随着毛泽东图像艺术的不断发展,懂得他的人也会越来越多。In the history and development of human images, Mao Zedong himself is perfectly fit with his image art. Mao Zedong＇s influence determines the discourse power of his image, and the establishment of his image is closely related to his historical status. The true strength of a country and a nation is not based on the destruction of a person＇s reputation, nor is it based on the defaming of a founding leader and a national hero. It is of great significance to study the art of Mao Zedong＇s image and to evaluate it correctly. If the new China has been created by Mao Zedong, then the image of the art of Mao Zedong is the people＇s ＂creation＂. Image is the unfolded history. With the continuous development of the image art of Mao Zedong, he will be known by more and more people.

关 键 词：毛泽东 人民 偶像 图像 艺术 

分 类 号：A84[哲学宗教—马克思主义哲学]