电子媒介时代的囚徒——柏拉图“洞穴之喻”的当代启示  

The Prisoners in the Times of Electric Media——The Contemporary Inspiron of Plato's Cave Metaphor

作　　者：陆涛[1] Lu Tao

机构地区：[1]江西师范大学传播学院

出　　处：《兰州学刊》2017年第9期13-23,共11页

基　　金：作者主持的2015年国家社科基金青年项目"莫言小说的语象与图像关系研究"的阶段性成果(项目编号:15CZW001)

摘　　要：早在两千多年前,古希腊哲学家柏拉图提到这样的一类人,他们只是乐意去看可见的世界,而不去思考可知的世界,这就是柏拉图洞穴之喻中所说的囚徒。过了两千多年,这些囚徒依然没有走出囚禁他们的洞穴,继续在图像的牢笼中观看这个世界。在当前的电子媒介时代,这些囚徒已经演变成在图像文化的强力诱惑下而无法自拔的影视观众。电子媒介的囚徒在图像的愉悦中获得了身体上的愉悦,从现象学、精神分析理论以及符号学理论的分析,可以发现图像所带来的愉悦相比于文字的愉悦更为强烈。而相关的批判就有法兰克福学派的文化工业批判、布尔迪厄的电视文化批判和波斯特的娱乐至死的分析。在当代的语境下,回归印刷文化和走向听觉文化则有助于电子媒介的囚徒走出图像文化的牢笼。about two thousand years ago, the ancient Greece philosopher , Plato pointed that there were some people who loved to see the visible world more than to cogitate the cognitive world. That ＇ s the prisoner who had been referred by Plato in his cave metaphor. About two thousand years had passed away, these prisoners still live in the cave, looking at this world . In the electric times, these prisoners has been evolved to be the audiences of film and television. The prisoners has got the pleasure of body from the pleasure bringing by the picture. If we analyse the phenomenon from phenomenology, psychoanalysis and semeiology theory, we can find the picture can bring more pleasure than scripts. There were some critics a- bout this phenomenon as the culture industry theory from Frankfurt school, Bourdieu＇ s critics on the television culture and Poster＇ s theory of entertainment to death. In the contemporary society, returning to printing culture and moving towards the acoustic culture can contribute to the prisoners in the electric times go out of the cave of picture culture.

关 键 词：囚徒 洞穴之喻 图之悦 身之悦 图像批判 

分 类 号：B502.232[哲学宗教—外国哲学]