陵川县南召文庙及戏曲碑刻考述  

A Research on Confucius Temple and Its Inscriptions about Chinese Opera in Nanzhao Village of Lingchuan County

作　　者：段飞翔[1] 曹飞[2] 

机构地区：[1]山西师范大学戏剧与影视学院 [2]山西师范大学传媒学院

出　　处：《戏剧（中央戏剧学院学报）》2017年第4期24-34,共11页Drama:The Journal of the Central Academy of Drama

基　　金：全国哲学社会科学规划办公室"中国戏曲碑刻的收集整理与研究"(项目编号:13BZSO17);山西省人文社科基地项目"山西戏曲碑刻集成"(项目编号:2013317)的阶段性成果

摘　　要：文庙修建、祭祀必定要在官方的管控之下进行,这与其他庙宇相比存在明显不同。但是田野考察中陵川南召文庙的发现让人产生诸多疑惑,其建筑格局明显不合文庙规制,甚至庙内还建有戏楼供祭祀献戏之用,这与文庙祭祀必用"雅乐"的礼制迥然不同。本文将以南召文庙个案考述切入研究,以期能揭示现象背后的内因,并为民间剧场史、演出史研究提供一些案例。Confucius temple must follow the traditional rules strictly on its layout and sacrificial performance. Its construction and sacrifice ceremonies must be under control of the authority, which makes the Confucius temple different from other temples. However, in the field investigation, what puzzled people of the findings of Nanzhao Confucius Temple is that its construction pattern doesn＇t obviously conform to the traditional rules and regulations. And even there is a theatrical stage in the temple for traditional opera performance instead of performing sacrificial music, which is very different from the ritual system of Confucian temple. The paper focuses on the case of NanZhao Confucius Temple to reveal the internal factors behind the phenomenon and provide some cases for the historical study of folk theatre and performances.

关 键 词：文庙祭礼 戏曲碑刻 传统剧场 礼乐制度 

分 类 号：J809.2[艺术—戏剧戏曲] K872[历史地理—考古学及博物馆学]