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作 者:吴投文[1] WU Tou - wen(School of Humanities, Hunan University of Science and Technology ,Xiangtan 411201)
出 处:《阴山学刊》2017年第4期36-43,共8页Yinshan Academic Journal
基 金:湖南省社科基金项目"中国新诗文化的多维透视与实践意义"(13YBA151)阶段性研究成果
摘 要:在中国新诗史上,七月诗派占有重要的一席之地。现实主义是七月诗派的主导创作倾向,自由体诗最能代表七月诗派的创作特色。艾青和田间被看作是七月诗派的精神领路人,尤其是艾青的创作对七月诗派有着极为深刻的影响。艾青的诗弥漫着忧郁的诗绪,这也表现在他的《手推车》中。阿垅的《无题》是一首相当复杂的诗,可以从不同的角度进行解读。彭燕郊是七月诗派的后起之秀,他的《爱》境界博大深沉,在悲怆中有坚韧的力度,在深情宛转中又有抑制不住的呼号。The July Poetry School occupies an important place in the history of Chinese new poetry. It is directed by the artistic tendency of realism and characterized by the free verses. Ai Qing and Tian Jian are considered as the pacesetters of the July Poetry School. Ai Qing' s writing in particular, has great impact on this poetry school. The poems of Ai Qing are suffused with the poetic mood of gloominess, which is clearly demonstrated in his poem "The Trolley". The poem "Untitled" of A Long, fairly complex, can be interpreted from various perspectives. Peng Yanjiao is an up -rising star of the July Poetry School. His poem "Love" is broad and profound in the ideological realm, and tough and sorrowful in the strength level, emitting an in -suppressible wail in the affectionate and mild lines.
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