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作 者:李国聪[1]
机构地区:[1]上海大学上海电影学院
出 处:《民族艺术研究》2017年第4期18-24,共7页Ethnic Art Studies
摘 要:饶曙光先生在三十多年的学术研究生涯中,建构起了开放式的电影研究体系。在电影史研究领域,以翔实的原始史料为基点展开,倡导推进电影史料的系统化建设和资源共享。在电影产业研究领域,以"电影强国"理念为核心,将宏观的前瞻性思考和微观的现象研究相结合,准确把脉电影产业,厘清问题背后的深层次动因。此外,还力倡学界与时俱进地建构电影科学评价体系,打造电影理论批评的中国学派。During his 30-year academic research life,Mr Rao Shuguang constructed an open film research system. In the field of film history,Rao put his research on sound original historical materials,promoting the systematic construction and resource sharing of film history. In the field of film industry research,emphasizing "strong film country"as the principle concept,Rao combined the macro foresight thinking with the micro phenomenon research,understood the film industry well,and clarified the deep internal factors of the issues. In addition,Rao seriously promoted the academia to construct film scientific assessment system with the trend in order to make a Chinese school of film theory criticism.
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