电影中的“愤怒”隐喻多模态表征  

The Metaphorical Representation of Anger in Films

作　　者：李兴忠[1] 

机构地区：[1]广东农工商职业技术学院基础部,广州511365

出　　处：《广东外语外贸大学学报》2017年第3期46-51,共6页Journal of Guangdong University of Foreign Studies

摘　　要：有别于动画片,电影广泛使用面部表情符号、体势符号、行为/事件符号和环境、自然力量符号等四类多模态符号表征"愤怒"。相对于漫画、动画片较高频次地使用面部表情符号和体势符号表征"愤怒",电影使用行为/事件符号和环境、自然力量符号的频次较高。电影中多模态符号表征的隐喻概念与语言模态基本一致,认知模式突显"试图控制愤怒"和"失控"/"愤怒转移"两个阶段。Compared with cartoon, films widely use signs of facial expressions, body gestures, behaviors/events and environmental and natural forces to depict anger, and the latter two categories of signs have higher frequencies. The metaphorical concepts encoded in the representation of films are basically in accord- ance with those in text language. The two stages of Attempt at control and Loss of control/Anger transfer are prominent among the five stages of prototypical cognitive model of anger.

关 键 词：电影隐喻 “愤怒”隐喻 多模态隐喻 多模态表征 

分 类 号：H03[语言文字—语言学]