中国文化与建筑中的“隐性”传统的当代传承初探——沭阳美术馆记  

A Look at Modern Inheritance of the Recessive Tradition of Chinese Culture and Architecture——A Case Study of Shuyang Gallery

作　　者：倪剑 

机构地区：[1]浙江大学建筑设计研究院有限公司

出　　处：《建筑与文化》2017年第9期55-56,共2页Architecture & Culture

摘　　要：儒、道,是华夏文明的两大重要源头。"道"的文化更多地滋养了"文人画精神"和"园林精神",这些隐性的传统是活用于当代文化建筑实践的不尽源泉。沭阳美术馆的营建,以"弱水三千只取一瓢饮"的情景即时性,再现和重构了诸如辩证、曲直、沉浮、"间"、材质粗砺与丝滑、空间拓扑与流动等的哲学观念和视觉要素。Confucianism and Tao are two important sources of Chinese civilization. The culture of Tao has nourished the spirit of Literati painting and classical Chinese garden. Such recessive traditions are constant sources of practices of contemporary cultural building. With Situational instantaneity from Chinese poetry ＂the world may have boundless water, but onry one jug of water is needed for me＂ , the construction of Shuyang gallery represents and reconstructs the philosophical concepts like dialectical logic, merits, ups and downs, and visual elements such as texture, spatial topology, fluxion.

关 键 词：中国“隐性”文化传统 儒道同易 老子辩证 朴隐之美 文人画 江南私家园林 沭阳美术馆 

分 类 号：TU242.5[建筑科学—建筑设计及理论]