《红楼梦》影视剧与宝黛爱情主题简论  

On A Dream of Red Mansions Movies and TV Series and Baoyu and Daiyu's Loving Themes

作　　者：何卫国[1] 

机构地区：[1]中国艺术研究院红楼梦研究所

出　　处：《河南教育学院学报（哲学社会科学版）》2017年第4期6-11,共6页Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)

摘　　要：宝黛钗的爱情婚姻悲剧,是《红楼梦》影视剧最为突出的主题。早期红楼电影多体现宝黛的自由爱情与封建伦理道德的矛盾冲突。越剧电影《红楼梦》强化了宝黛的叛逆性格与封建势力的冲突,阶级意识色彩较为明显。《新红楼梦》与《红楼新梦》等故事新编影片,将宝黛爱情悲剧的根源归结为资本主义制度下金钱的罪恶。1987版电视剧淡化了宝黛爱情在全剧中的分量,为这一悲剧提供了更宽广的社会背景。The tragedy of love against marriage between Baoyu,Daiyu and Baochai is the most striking theme in A Dream of Red Mansions movies and TV series. The earlier movies strengthened Baoyu＇s and Daiyu＇s characteristic treason and their conflicts against the feudal powers with much of class ideology. Such the latest altered movies as The New Dream of Red Chamber and The New Dream in the Red Chamber attributed this loving tragedy to the sin of money in the capitalistic system. 1987-TV weakened this love inside the series against a broader social background.

关 键 词：《红楼梦》 影视改编 宝黛钗 爱情婚姻悲剧 

分 类 号：J905[艺术—电影电视艺术]