论恽敬古文的“峭洁”——兼说“从子家入,由史家出”的文学意义  

A Research on the “Stiff and Clean” Style of Yunjing's Prose:The Literature Significance of “Philosophical Approach and Historical Demonstration”

作　　者：黄卓颖[1] Huang Zhuoying

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《南京师范大学文学院学报》2017年第3期57-62,共6页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：江苏省高校哲学社会科学研究基金资助项目"‘史汉异同’与明清文论的历史建构"(项目号:2015SJB102)

摘　　要：清代阳湖派中,恽敬与张惠言齐名,但二者的文风并不相似。张惠言以"瑰丽"、"渊雅"称,恽敬则以"峭洁"为主。后者"从子家入,由史家出",取《史记》之"洁"、法家之"峭",在"义法"的统摄和粘合下,融铸生成"峭洁"。它以追求凌厉的辞气、尖锐斩绝的力度、深窄的文境与意旨、气体的省净纯洁为主要美学内涵。在碑志文中,恽氏又自觉地将史体、史法、史意注入其中,辅之以法家辞气,最终生成一种以史传化为显著特征的新碑志体。这种新碑志,既是恽敬"峭洁"文风的典型代表,又是其古文价值的最高呈现。Yun Jing and Zhuang Huiyan share the same prestige in the School of Yanghu in the Qing Dynasty, but their prose styles are different. Zhang Huiyan is defined as ＂magnificent＂ and ＂elegant＂, while Yun Jing＇ s style is mainly considered as ＂stiff and clean＂. The latter is featured with ＂philosophical approach and historical demonstration＂, integrating the ＂cleanness＂ of Shi Ji and the ＂stiffness＂ of legalism under the general guidance of ＂meaning and regulation＂. In terms of aesthetic features, the so called＂ stiff and clean＂ obviously includes fierce rhetoric, sharp intensity, purity of meaning, and so on. This style was typically used in his writing of epitaph, creating a new style in this genre of writing, which was regarded as the greatest value of Yun Jing＇ s prose.

关 键 词：恽敬 峭洁 新碑志体 

分 类 号：I206.2[文学—中国文学]