因性成体——刘勰《文心雕龙·体性》篇章结构探析  

Form Derived from Character:Analysis of Text Structure on Liuxie's The Literary Heart and the Carving of Dragons Character and Form

作　　者：李铁荣 

机构地区：[1]闽江学院人文与传播学院中文系,福建福州350121

出　　处：《怀化学院学报》2017年第8期104-108,共5页Journal of Huaihua University

摘　　要：有别于既有的分析,"新三分法"认为《体性》篇的"篇章结构"的逻辑顺序是:首先提出写作活动的一般性原理:写作活动就是写作主体把"(内在于心的)情理",在一个隐含有因果与同一并列的时空进展中(恒量),用"(有形可见的)言文"物化为文章的动态表现过程。其中,"(内在于心的)情理"内含有写作主体之"性",既会随时而变,也会因人而异,属于自变量;而物化为文章的"(有形可见的)言文",简称为"体",随写作主体之"性"变而变,属于因变量。"性"、"体"之间,因性而成体,这就是《体性》篇的主旨。接着分别从理论和事实两个层面详细论证这一原理中两个变量之间的关系。最后运用这一原理中两个变量之间的关系,具体指导初学者应该如何进行写作训练。Different from existing analysis,the new three-point method holds that the logical sequence of the text structure in the text of the body is： First of all, the general principles of writing activities are proposed. The writing activity is a dynamic performance process in which the writing subject materializes＂（internal to the heart） reason＂ into articles in＂（tangible and visible） speech＂in the space and time progress implying causes and effects,and the same parallel（＂constant＂）. Among them,＂（internal to the heart） reason＂contains the＂subject＂of the writing,which is an independent variable changing at any time and varying from person to person. And the＂ tangible and visible speech＂, referred to as＂ form＂, belongs to a dependent variable changing with the＂character＂of the writing subject. Between＂Character＂and＂form＂,form derives from character,which is the main thrust in＂ character and form＂ article. Then, the relationship between the two variables in this principle is discussed in detailed from two levels of theory and fact. Finally, using the relationship between the two variables in the principle, specific guidance for beginners is given on how to write.

关 键 词：刘勰 文心雕龙 体性 篇章结构 

分 类 号：TP391[自动化与计算机技术—计算机应用技术]