论老子文学形象的演变  

On the Change of Laozik's Literary Image

作　　者：万晴川[1] Wan Qingchuan(College of Humanities, Zhejiang University of Technology, Hangzhou, Zhejiang 310026)

机构地区：[1]浙江工业大学人文学院,浙江杭州310026

出　　处：《嘉兴学院学报》2017年第5期66-75,共10页Journal of Jiaxing University

基　　金：国家社科基金项目(15BZW106)

摘　　要：老子文学形象的最终定型,经历了一个漫长的演化过程。在先秦诸子的笔下,老子是博学多识的学者,在道家典籍中,老子的形象开始得到夸饰;汉初以黄老哲学治国,方仙道兴起,谶纬成为国学,在此背景下,老子的形象遂传说化和神秘化,尤其是张道陵的"天启事件"及佛教的影响,老子终于成为至上神;元明清时期,随着道教的世俗化,老子身上的神秘色彩在一定程度上有所消退。老子形象的嬗变,对考察历史人物如何演变为民间神灵、最后又变成道教神仙具有典型意义。Laozi＇s final literary image has gone through a long process of evolution.In the writings of preQin philosophers,Laozi was a learned scholar and in the Taoist classics the image of Laozi began to be exaggerated.In the early Han Dynasty,Huang Lao philosophy was applied to govern the nation,Fangxian Tao rose,and Chenwei became the study of the whole nation.In this context,the image of Laozi became legendary and mysterious and especially under the influence of Zhang Daoling＇s Tianqi event and Buddhism,Laozi finally became the supreme god.In the Yuan,Ming and Qing Dynasties,with the secularization of Taoism,Laozi＇s mystique faded away to a certain extent.The change of Laozi＇s image is of typical significance to study how the historical figures develop into folk gods and finally become Taoist gods.

关 键 词：老子 形象 演变 

分 类 号：I207.41[文学—中国文学]