寺院“格萨尔诵经调”与民间《格萨尔》唱腔变异研究  

Temple Gesaer Chanting and Change of Gesaer

作　　者：郭晓虹[1] GUO Xiao-hong(Arts Department, Qinghai University for Nationalities, Xining 810007, China)

机构地区：[1]青海民族大学艺术系,青海西宁810007

出　　处：《青海师范大学学报（哲学社会科学版）》2017年第4期71-74,共4页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

基　　金：青海省社会科学基金项目"寺院‘格萨尔诵经调’与民间<格萨尔>唱腔变异研究"(15048)

摘　　要：无论在寺院还是民间,"格萨尔"已成为藏族人普遍的信仰,本文对寺院"格萨尔诵经调"与民间"格萨尔"唱腔之间的相互关系及传承流变进行了探讨。在藏传佛教语境下,"格萨尔"音乐文化在流传过程中不断受到地域、文化、民族音乐影响,总是处在一种流动和不稳定的状态之中。阐释虽然拥有同一载体,却表达出"寺院"与"民间"两种不同意象的"格萨尔"传承文化。Gesaer is a national hero among all Tibetans both inside and outside of the temple. This arti- cle addressed the relationship between temple Gesaer chanting and change of Gesaer music. The Gesaer mu- sic was changing because of the influenced from local, cultural and national music. This article intends to touch the relationship between two music styles in the temple and in the public.

关 键 词：格萨尔 诵经调 唱腔 

分 类 号：J649[艺术—音乐]