《作为意志和表象的世界》的广义美育观研究  

A Study of the Generalized Aesthetic Education of The World as Will and Representation

作　　者：王一方 WANG Yi-fang(Department of Chinese,Sun Yat-sen University, Guangzhou 510275, China)

机构地区：[1]中山大学中国语言文学系,广东广州510275

出　　处：《美育学刊》2017年第5期48-53,共6页Journal of Aesthetic Education

基　　金：国家社会科学基金项目<当代文论与"去黑格尔化"研究>(13BZW004)的阶段性成果

摘　　要：在《作为意志和表象的世界》第36至52节中,叔本华通过对艺术的目标、天才之伟大、艺术的三种美、不同艺术的美感印象等问题的探讨来表明观点,即艺术是"独立于根据律之外观察事物的方式"^(1)。他高度肯定艺术的纯粹性,赞赏艺术为人类精神世界带来的安慰是艺术家"在一个异己的世代中遭遇到的寂寞孤独"的唯一补偿,与此同时,伟大的艺术能摆脱欲望的束缚。这种从艺术中寻求意志的广义美育观蕴含在叔本华对艺术与理念、意志之间关系的深入思考中,为当代美育思想提供了重要参考。In Schopenhauer＇s opinion, art is ＂ the way of observing things which exist independently of the principle of reason＂ , a conclusion arrived at after he had discussed, in sections 36-52 of ＂ The World as Will and Representation＂ , issues such as the objective of art, great genius, three kinds of beauty of art and the aesthetic impressions of different arts. He highly affirmed the purity of art and commended the consolation art brings to the spiritual world of man as the only compensation for the solitude an artist suffers in an alien world. Meanwhile, great art can also get rid of the constraints of desire. This broad conception of aesthetic education as seeking will from art inheres in Schopenhauer＇s meditations on the relationship between art, idea and will and affords an important reference to the thought of contemporary aesthetic education.

关 键 词：叔本华 《作为意志和表象的世界》 广义美育观 意志 理念 

分 类 号：I01[文学—文学理论]