试论易卜生现代剧创作的“秘密”——从《易卜生的工作坊》说起  

On the “Secrets” of Ibsen's Modern Play Writing——A Study on Ibsen's Workshop

作　　者：汪余礼 王阅 

机构地区：[1]武汉大学艺术学院

出　　处：《戏剧（中央戏剧学院学报）》2017年第5期40-52,共13页Drama:The Journal of the Central Academy of Drama

基　　金：国家社科基金青年项目"易卜生戏剧诗学研究"(项目编号:13CWW023)阶段性成果

摘　　要：通过仔细比较易卜生系列现代剧的初稿、修改稿和定稿,再参照易卜生在书信、演讲和创作札记中的一些论述,可以发现其现代剧创作的某些秘密。简言之,在深入体验的基础上设法感通人心,是易卜生现代剧创作最重要的"秘密";而设境、分身、对比、映衬、反转、暗引、回溯、变异、留白等艺术手法的综合运用,不仅有效地达到了感通人心、引人深思的效果,也使其剧作实现了戏剧性与诗性的融合统一,可谓易卜生现代剧创作次一级的"秘密"。In the first draft, revised draft and final draft of Ibsen＇s series of modern plays anct related theories in his letters, speeches and writing journals, a secret of lesser level of Ibsen＇s modern play writing has been revealed, which is to deeply move people through profound dramatic experience. Techniques including context setting, multiple roles, contrast, antithesis, reversal, allusion, recollection, variation, blank, etc., not only proved to be touching and thought- provoking, but also add to the dramatic and poetic quality of Ibsen＇s modern plays.

关 键 词：易卜生 创作秘密 感通 留白 

分 类 号：I533.073[文学—其他各国文学]