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作 者:滕斌 TENG Bin(Department of Chinese, Neijiang Normal University, Neijiang 641199, China)
出 处:《重庆邮电大学学报(社会科学版)》2017年第5期127-133,共7页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
基 金:四川省教育厅重点课题:文化转型视野下的日常叙事流变(1985 2000)(13SA0009)
摘 要:1990年代的日常叙事在重新审视社会文化及个性心理层面呈示了更高的真实性,文学也得以打开了新的言说空间。但其话语意识形态方面表现出与日常生活"同步""共谋"甚至低于生活的弊病,亦使得不少日常叙事之作在美学方面又陷入了新的危机。文学作为审美救赎和精神超越的功能性被悬置起来,这一现象必须引起足够的警惕。健全的日常叙事,离不开对日常生活完整的审美观照和对终极价值的追问,同样也不能摒弃与国家民族、社会人伦等文学传统相通的精神联系。当下的日常叙事,不仅需要在话语主题方面实现个人化与公共性的遇合,其美学构建也要在生活复杂性与艺术创造性的融汇方面用力,同时叙事伦理亦需保有对现实的理性介入与批判超越的自觉态度。Since the 1990' s, the daily narrative not only presented the higher veracity, and earned a new expression space for literature. But it showed "sync" with the daily life and even lower than the symptoms of life, also make it into a new crisis in terms of aesthetics. Aesthetic spirit of redemption and suspended narrative must be a cause of enough attention. Generally speaking, the daily narrative should keep everyday life full of the beauty and the ultimate value, also cannot abandon the contact with the spirit of national and social ethics. On the one hand, daily narrative needs in terms of theme for personal get along well with the public, on the other hand, we should emphasize on the integration complexity of life and art creative, at the same time we also need to keep rational intervention of reality, conscious attitude of criticism and transcendence.
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