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作 者:黄良喜[1] 梁源 Lian-Hee Wee LIANG Yuan
出 处:《语言学论丛》2016年第2期257-276,共20页Essays on Linguistics
基 金:香港优配研究金(General Research Fund)项目HKBU250712;香港教育学院内部研究金(Internal Research Grant)项目RG100/2014-2015的资助;香港浸会大学音系实验室(HKBU Phonology Lab)的支持
摘 要:港式英语的音节可能具备的调型包括:高(H)、中(M)、低(L)三种,分别与港式粤声调的阴平[55]、阴去[33]以及阳去[22]、阳平[21]相对应。本文探讨港式英语这三个调型的性质和来源。通过提取录音基频,我们比较了港式英语和港式粤语声调的资料,发现(1)H与阴平[55]一致;(2)L比阳平[21]明显要低;(3)M与阴去[33]比较接近,与阳去[22]较疏远。由于港式英语只有H是词调、L只分布在韵律句末、而M只允许出现在词首,本文因此提出:港式英语仅在词的层面上移植了粤语阴平调,但在作为节律单位边际标记的调值上则有自己的一套。The English spoken by many Cantonese-speaking Hong Kongers (henceforth HKE ) are characterized by syllables that may surface as H (igh) , L (ow) or M (id) . This paper examines the possibility that HKE tones are inherited from Cantonese. Among the six Cantonese tones, of particular interest are Tone 1 which tone value isE551 ,Tone3[331 ,Tone4E211 ,andTone6E223 ,where[5 is very high and E 1 3 is very low. These tones are obvious candidates as correspondents of the HKE tones H, M and L. Comparison of re- cordings reveals that (i) Cantonese Tone 1 and HKE H tone overlap substantially; (ii) HKE L tone is substantially lower than Tone 4; and (iii) HKE M tone aligns better with Tone 3 than Tone 6. The data demonstrates that HKE inherits Tone 1 from Cantonese for lexical pitch assignment to HKE words, but imposes its own pitch assignment for prosodic boundary marking.
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