中国古代诗歌抒情“范式”论  

China ancient times poetry lyrical paradigm

作　　者：刘桂华 LIU Gui-hua(School of Literature of Hubei Normal University, Huangshi, 435002,Chin)

机构地区：[1]湖北师范大学文学院,湖北黄石435002

出　　处：《湖北师范学院学报（哲学社会科学版）》2017年第5期12-16,共5页Journal of Hubei Normal University（Philosophy and Social Science）

基　　金：湖北省社科基金项目"气候与季节变化对中国古代文学之影响研究"(2011LW065)的阶段性成果

摘　　要：中国古代诗歌存在着为诗歌创作共同体所共同建立遵循的一套诗歌"规范、标准和惯例的体系"或惯例性的观物思维方式、感物审美方式和诗歌抒情"范式"。其中最典型、具有普遍性、惯例性的诗歌抒情"体系"或"范式"有:"春愉"抒情范式、"伤春"抒情范式、"秋悦"抒情范式"、"悲秋"抒情范式等。Poetry in ancient China there is poetry creation community jointly set up by following a set of poetry ＂system of norms, standards and practices＂ or practice of observing things way of thinking, a sense of aesthetic style and lyric poetry ＂paradigm＂. One of the most typical, has universality, practices the lyric poetry of ＂system＂ or ＂paradigm＂ is.. ＂spring please＂, ＂spring＂ lyric paradigm lyric paradigm, ＂qiu yue＂ lyrical paradigm ＂, ＂come into my autumn＂ lyric paradigm, etc.

关 键 词：中国 古代诗歌 抒情“范式” 

分 类 号：I206.2[文学—中国文学]